“I want to know,” she said. “Don’t think me a prig,” she pleaded. “I’m talking as if I knew all about it. I don’t really. I grope in the dark; and now and then—at least so it seems to me—I catch a glint of light. We are powerless in ourselves. It is only God working through us that enables us to be of any use. All we can do is to keep ourselves kind and clean and free from self, waiting for Him to come to us.”!

She would not let him light the gas. “I have dined—in the train,” she explained. “Let us talk by the firelight.” He met her in the corridor, and they walked up and down and talked, too absorbed to be aware of the curious eyes that were turned upon them. Joan gave him Carleton’s message.

“No, it isn’t,” she contradicted. “It’s simple and big and kind. I always used to feel it disapproved of me. I believe it has come to love me, in its solemn old brick way.” Those drawing-rooms? Might not something of the sort be possible? Not, perhaps, the sumptuous salon of her imagination, thronged with the fair and famous, suitably attired. Something, perhaps, more homely, more immediately attainable. Some of the women dressed, perhaps, a little dowdily; not all of them young and beautiful. The men wise, perhaps, rather than persistently witty; a few of them prosy, maybe a trifle ponderous; but solid and influential. Mrs. Denton’s great empty house in Gower Street? A central situation and near to the tube. Lords and ladies had once ruffled there; trod a measure on its spacious floors; filled its echoing stone hall with their greetings and their partings. The gaping sconces, where their link-boys had extinguished their torches, still capped its grim iron railings. In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.